On my new build I just finished, I used a Christmas tin to get that Hollowbelly sound, I love his paint tin guitar, so simple and it sounds so good, anyhow, I had some pups I wound here at home I was going to put inside the tin as well, but they did not turn out so good, so in desperation, I slapped in a peizo, with some hot glue, as close to under the bridge as I could get it, (that is where I am hearing is sounds the best) when I fired this thing up, it blew me away how good it sounded, and how well it sounded like a coiled pickup. I had to add a old hanky on the inside of the box to tame it down a bit, but as for sound goes, it sounds very close, if not right on to a coiled pup.
With this all said, is under the bridge by far the best place for a peizo? I have had them in other spots on the inside of the box, and no other places sound the best, but this one has got me 99.9 % convinced this is the best spot for a peizo, right under the bridge where the strings vibrate the most. So much so, I have a old cbg I made a long while back, with nothing in it, and so with that said, I think I am going to make some changes on the bridge to so I can add a peizo to the box, I just need to find another bolt for my bridge the right size, I am learning over the past couple of years I like a nice high action for slide play on my CBG's.
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Look at this way. Sound is vibration. The string vibrates on the bridge, transferring the energy to whatever is under it. That is the point of strongest vibes.
but also depends on what sound you want.
Matt
Inside the box, some people put them close to the bridge but on the bass side so it can pick up more bass vibrations. The reason is that since the boxes are shallow compared to a "real" guitar they sound treblier.
In general, the closer to the bridge, the louder it will be. Literally right under the bridge on the outside of the box would be the loudest. The pressure from the bridge/strings would help add volume. This is my favorite spot.
Any kind of damping such as hot glue, wood, rubber, hanky, etc. will help dampen the harsh high frequencies and the tendency to feedback, thus making a more pleasing sound.
Bringing down the impedance closer to the amp impedance is another way to get a better sound out of a piezo.
But as they say, no rules, so if it sounds great to you, that's what counts - have fun experimenting!
i have a question about bar piezo's, for one utilizing a pre-amp would it still be the best place (under the bridge) even if its just a three stringer?
Let's look at it this way. Practically all guitar builders using piezos place them at that location. Must be a reason for that and there is, it's the best volume with the least feedback problems. Also less handling noise.
Don
Godzilla said:
i have a question about bar piezo's, for one utilizing a pre-amp would it still be the best place (under the bridge) even if its just a three stringer?
Let's look at it this way. Practically all guitar builders using piezos place them at that location. Must be a reason for that and there is, it's the best volume with the least feedback problems. Also less handling noise.
Don
Godzilla said:i have a question about bar piezo's, for one utilizing a pre-amp would it still be the best place (under the bridge) even if its just a three stringer?
The location is not really involved with feedback, it's more about the damping material.
On a "real" guitar the bar piezo is embedded in the bridge under the saddle. That would provide damping.
If I were going to use a skeleton key, I would make a sandwich, starting from the top - skeleton key, thin piece of wood, piezo, then either nothing, or another thin piece of wood, or cork, or mouse pad. The cork or mouse pad would provide additional damping from box noise.
You may be able to do something with skeleton key/hot glue/piezo/hot glue or other combinations, although that's not as pretty looking as wood. Maybe skeleton key/wood/piezo/hot glue.
I have to disagree that location has nothing to do with feedback. A flexible soundboard mounted piezo will for a given volume level feedback sooner than a bridge mounted piezo as you are getting one, more direct string vibrations, two the area the bridge sits on will be stiffer. I can quote several more references:
"feedback even at low levels of amplification.
These days the most popular place to locate a piezo transducer on a guitar is in the bridge, and for flat top guitars the most popular place in the bridge is directly under the saddle. Here, string tension variations caused by the vibration of the string translate into pressure variations on the saddle, which rests right on top of the transducer. This placement is less prone to feedback than soundboard placement and also produces a more balanced frequency spectrum. On the downside, under saddle placement reads more of the sound of the strings themselves, and less of the sound of the entire instrument. Again, there is always a tradeoff with transducer placement, but this is one that works out well in practice.'
Don
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