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Hi Glenn.
Why do you prefer GDgd tuning for a 4-stringer over DGBe? I have built two 4-stringers, one a string dulcimer with dual melody strings (so actually its a 3 stringer) tuned DAdd. The other is tuned DGBe like a baritone ukulele but with steel guitar strings. As I am unfamiliar with DGBe (and six string guitars in general), I'm wondering why some people tune one way and others is other ways. I wonder which will be better for be so I can learn to play the instrument the easiest. My background is Ukes and stick dulcimers (strum sticks). Also, I'm a picker, not a strummer and my playing level/style is still quite elementary.
-Rand
Hi Randy,
Yes, there's lots of ways to tune them. I like G D g d because I'm not very good and I can come up with lots of cool song ideas on that tuning. I also play uke but prefer the bluesy tuning for cbg's. I would guess that GDgd or some kind of open major or open minor tuning would suit slide players better than uke tuning too. And I don't have to rearrange my brain when swapping from 3 string GDg to 4 string GDgd.
One other thing - I sell a few of these to guitarists who are looking for something different, get away from standard guitar shapes and get a bit more open string drone goodness, and uke tuning is just a gat with the low E and A taken off so it's not really a fresh start.
But really, whatever smokes your tyres!
Rand Moore said:Hi Glenn.
Why do you prefer GDgd tuning for a 4-stringer over DGBe? I have built two 4-stringers, one a string dulcimer with dual melody strings (so actually its a 3 stringer) tuned DAdd. The other is tuned DGBe like a baritone ukulele but with steel guitar strings. As I am unfamiliar with DGBe (and six string guitars in general), I'm wondering why some people tune one way and others is other ways. I wonder which will be better for be so I can learn to play the instrument the easiest. My background is Ukes and stick dulcimers (strum sticks). Also, I'm a picker, not a strummer and my playing level/style is still quite elementary.
-Rand
Hi Glenn.
My name is actually "Randolph", so "Randy" and "Rand" both work. If you want to make me wince, call me "Randolph".
Anyways, I think maybe I'll experiment with GDgd to see if I like it. What strings are you using on your instrument to achieve GDgd? Will the 4 highest guitar strings (DGBD) work?
I mentioned I had made a "stringdulcimer", but what I meant was "stick dulcimer" which is a generic name for strum sticks. They are typically tuned GDG, DAD, or some other 1-5-8 tuning. I usually tune mine to DAdd. So, going with GDgd might be a more natural move for me as well. Or perhaps DAda.
But, as a picker, I don't really do chords, and in fact chords don't make sense to me, so I must be missing something. The closest thing I do to chords is fingering the first and third strings simultaneously while picking the tune. This sounds pretty good, and for me it's a good answer to the problem where the sound produced by your drone strings drown out the sound of your melody string. I noticed this after I built my 4-stringer with dual melody strings (strings 1 & 2 tuned in unison). I created that as a work around to the loud drone strings problem too. And it works pretty well. Sounds a bit more like a mandolin. But, then when I try it on a tune that uses the second string, it sounds terrible as the second string is not paired. So, one of my future builds will likely be a six-stringer tuned dD-aa-dd. This 2 finger "chord technique", if you can call it that, works only if the tune can be played entirely on one string -- it falls apart if you have to go to the second string. The two fingers I use are the index and middle fingers. I bend them over in a kind of hook shape and run them up and down the neck together as I pick the melody. Thought you might like to know about that technique (assuming you don't already know it).
-Rand
Hi Glenn.
I forgot to ask, are you using an instrument with a chromatic fret layout or a diatonic fret layout for your GDgd chord shapes?
-Rand.
Not entirely true, u just cannot play all these chords in all positions.. but u would not want to anyway..
for example in the ionian mode (uncapoed) strummer a major chord can only be played in the i,iv & v positions / a minor in the ii,iii,vi / (dom)7th in the v / maj7th in the i & iv / dim in the vii etc etc..
I have a video somewhere about building chords using a strummer as a compositional and educational tool, i think its in Diane dulci group, check it out.
Glenn's tuning there is excellent for this very thing, another v string gives u easy acces to ur 7s etc without sacrificing ur 5..
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