Doug Thorsvik

Male

Medical Lake, WA

United States

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  • Tom Lanford

    Thanks Doug!
  • Dianne Woods

    Very nice builds, and great designs. Great job.
  • Dianne Woods

    You are very welcome, Doug. Thank you for commenting on my tin. I haven't played it, when I tightened the strings, they are pulling the gromlets out of the string holes. I need to change to something else, but haven't done it yet. I did have plastic tops in the holes, but the strings just cut right through them, so I changed them to brass gromlets.
  • Dianne Woods

    You are right, it is a trial and error thing.
  • Mr. Toad

    That turned out very nice Doug.
  • Mr. Toad

    Doug thank you so much for inviting me over to watch you shape your neck. I did mine the other night. I bought a rasp and used it then finished up with a ro sander. I think it looks pretty good. Yes I would like to see your base guitar and hear it. I would like to wait until I finish my guitar so I could bring it over for you to critiqe it.
    Jim
  • Roosterman

    Thanks for your kind words Doug :o)
    Iv often thought of making a branding iron to stamp my headstocks with, but its just another thing on the long list of things to do at the moment.
    I do have a woodburning pen somewhere, but Im useless with it - seems you have it down though!
    Keep up the good work
    B
  • Mr. Toad

    Well Doug, I finished it up this morning. There are a few mistakes that I made. I'd like to bring it over some evening and let you look at it and critique it. It sounds better than I thought it would. I tuned it to GDG like you sugested and I haven't glued the bridge down. I hope you're happy with your base and making good music with it.
    Jim
  • uncle Lou

    You make sweet instruments. My mando is ash strong enough where no truss rod is needed
  • dogfinger steve

    cheers doug, was gonna put some brass star surrounds on em but think it looks better without :0)
  • Bluesheart

    Thanks for the nice comments Doug. It sounds very good w/ the nylon strings both unplugged and plugged in. The short scale keeps the tension low and it is very easy on the fingers, which is what I planned on since she is not a regular player, YET!
    Bruce
  • The Valley Boys

    Good question. I was a little vague. It's actually four parts. Two screws and two threaded posts
    inside the box. Look closely at the picture. The holes are smaller than heads of the screws so the bridge is floating on the screws. It works very well. I have another design coming soon. Check stewmac.com and study the Tune-o-matic bridges. I found this was the missing link in the slide/
    fingering transition. Hope this helped.
  • Bluesheart

    NP. Now I think you have inspired me to try some woodburning on a future build.
  • colin mcgrath

    Yeah, I need a better cheap way to slot the nut's though, I might use your idea, not really. I think I might use a bar on the headstock to hold down the strings. Hey, just playing around till I find what works great. Thanks, take care.
  • Mama Mojo

    Doug - thanks so much for your generous and thoughtful comments on my page! It's nice to connect with such a talented builder! best, MM
  • Theo

    Thanks man ..it makes me want to start the next one..
  • Roadkill a.k.a. John Maw

    Hi Doug. It would be easy to adapt this to incorporate the tail function. Either by cutting keyholes in the plate (might need to extend the plate a little) or bending the back edge up with a bending brake (such as a vice brake) and putting holes in. All the best. John
  • Richard Sanabia

    Hi Doug. I play mandolin, so I try to incorporate the paired strings often. Rich
  • Tom Caneschi aka cbg tom

    Doug I get them from ebay  I found a bass bridge you might like better

    here it is there are many listings ...

     http://www.ebay.com/itm/4-STRING-GUITAR-BRIDGE-CHROME-CIGAR-UKULELE...

  • Savage Mojo CBG

    Hmmm maybe I should look into using parallels, for my mac, I do like the word program, and that Wfret program seems neat.
    Thanks again for the templates!

    Del

  • Mike Strehlow

    Hey Doug, thanks.  I should have thought of that.  What threw me off was the was the pre-loaded lengths were expressed in fractions.  

    I have a cheap tourist model uke from a trip to Hawaii that I know is out of tune. The scale length was (note the past tense) 12 7/8.  I wanted to measure the fret spacing to see.  I took it apart tonight and I'm using the neck and new fretboard on a proper CB build for my grand daughter. I'll post pics when it is done.

  • Mike Strehlow

    Just checking out your page.  You have some very creative ideas.  I'm going to try the slotless string guide.  I hate messing with slotted nuts.

  • Burt Philbrick

    I tried it out just to see how it works, really easy! I have a fretboard cut,shaped and sanded for build number 2. I'm going to print off the template and try it out. I'll let you know how it goes. I have people asking me to build them one with frets so this will be great, instead of having to measure every one of them. I'd like to try out some different scale lengths, and a bass eventually.

  • Jonathan

    Hey Doug I use a set of Ernie ball - ball end classical strings. I use the 3 plain nylon strings for the treble G tuning (the black strings) the other 3 strings in the set are wound (low E, A, and D) I've used tenor uke strings and they don't have as much tension and just don't sound quite right. The lower wound nylons work great for DAD tuning (used them recently on a resonator and they sound nice)
  • George Jones

    Hey Doug, 

    You still alive and kicking???  :-)

    Just finished up two dog bowl resonators (my baby-bluz resonators), which are a bit more advanced than what I was building and bringing to the Huntsville CBG festival last year . . . (see attached photos)

    Been doing license plate guitars like crazy since the Huntsville CBG festival.  Got those down pat these days . . . string action set at less than 1.5 mm on the 12th fret, and maintained throughout the rest of the remaining frets on the fret board...  Are you going to any festivals on the eastern side of the U.S.A. this year?

     

  • Rick Flink

    Doug,

    Thank you for responding back with some great advice. My only problem is I am struggling getting my first build done. Then I have to learn how to play it before trying to teach others. So I am literally trying to find a couple of experienced builders in my area that I can ask question of and bounce ideas off of. Then, I really would love to follow your suggestions of how you are building your Spokane group. If I get to Spokane this summer, would it be alright if I contacted you for coffee or a meal so you can fill my head with your knowledge and wisdom?

    Rick

  • Ed Parry

    Thanks Doug.

    I'll try to join in as work allows. Got a fretted 2 summers ago, and making progress on it.

    Ed

  • Richard Sundberg

    Hi Doug! Sounds like a great idea. The Cigar Box Nation virtual festival (CallyFest) is member driven. It’s open to any ideas, and no rules. I’m personally not on Zoom, or for that matter have a PC. You might post an announcement or blog here on the forum section and see how many members might be interested. I’d love to see it, your videos and the Zoom style would be a nice addition. Thanks Doug.

  • Derek Rose

    Thank you for the friendship Doug!

  • Dave Lynas

    Thanks Doug. Glad to be a friend. ... Dave

  • Joe Caruso

    I appreciate the work it took to put that songbook together. Many thanks Doug.

  • Mickey Sadler

    Doug, thanks for all the work you put in on the song book and for sharing it with the cigar box community.

    Mickey

  • russell_e100@hotmail.com

    Thanks Doug, quite a few songs in there that I had forgotten all about. Well done and thanks for sharing.  Cheers Russell

  • silvernitrate

    Thanks Doug - very nicely done and a great collection.
  • Mike Willmouth

    Thanks Doug for sharing your songbook.  It's fantastic! 

  • Bill Tankersley

    Thank you for the great songbook!

  • Paul L. Hanz

    Thanks Doug for the Awesome Song Book! Very well done, and greatly appreciated. This just mightt be a way to attract more newbies into the grand art of CBGs.

  • Martin

    Hi Doug, thank you so much for the songbook. Great stuff man!!!

    Cheers,

    Martin

  • 3 String Blues

    you are a wonderful person Doug!

  • Rope Walker Country Star

    Thanks for checking in DougThorsvik. I guess I got in a little CBG funk around the time of DaveLynas passing, and got a bit busy with other stuff too. I trust you’re still slingin’ the hits and the two string wonders!
  • Robert Neal

    Thank you for the friend request ( my first) I am sorry it took so long for the reply. I will start being more active sometime next week. Thank You again

  • BrianQ.

    Hope to see the slinger’s doing their thing :)

    https://www.cigarboxnation.com/events/callyfest-2023

  • A.D.EKER

    a fine tune Doug ! back there for a minit Thanks .

  • A.D.EKER

    BY the Look of it ,You are ready for Masse Scale Production ! there Doug, adapt the color and Go !  frenchize Whit Gitty and BOOOOOM ! Millionaair in No time ! The Future Of  CGCBG is on our Doorstep !! Good Luck Bud !

  • A.D.EKER

    No Doug ! No Modesty !the way you operate, whit the 3D printing, Style,Songbook ,One vinger Program, Your zoommm Classes, and your live Shows,You are one Original C omputer G enerated,C igar B ox G uitar Builder, nothing but admiration ! To You Doug ! Hats Off ,and why Not ? hard work diserves a thumbs up and a pat on the Back! 

  • Pieter Albertyn

    Doug. I refer to your request for photos. My circumstances are such that I had not been able to build since I produced a number of mini guitars for my grandkids. (Doing so created an awful mess and caused much discomfort for my wife ) I now plan to attend a newly established "Menzshed" in our local town. They provide work space and basic equipment for DIY'ers at a facility in town. I am making slow progress and will feed back once I have something to show. All of the best. Pieter.

  • Michael Fred Johnson

    Thanks for the comments Doug

  • Pieter Albertyn

    Doug. My plan is to build a few CBGs over the next week or three. Well, at least to the point where the "ugly stuff" has been dealt with. (Sawdust, table saws, routers, shaping and sanding.) I am forced to do batch processing of components like necks and bodies so I can complete similar processes in one go. It is not ideal, as I prefer to work on an instrument as a bespoke unit. Will see how it goes and will feed back as I go. With any luck at all I will produce those photos you asked for along the way. Regards. Pieter.

  • Slow Mick

    Thank you for this very valuable help!

    Best regards.

  • Chance

    HiGreeting Doug,

    Better late response than never.  First, off all of my builds are fretless and most utilize a rod piezo with a preamp.  If the sides of the box are too thin for the preamp, I will use the smaller passive, slider type volume and tone controls.  If the box is thinner than that I generally will not use it, but if I do use it I will direct wire the pickup to the jack.  If the box is deep enough I will place the preamp underneath the neck on either a stick-thru or stick on top.  I will only put volume and tone control pots on the soundboard, if the git will be dedicated right or left.This frees up sides to be lefty or righty.  The tuner placement generally makes no difference.  The jack and jack plate should be as close to center near where the neck protrudes, or terminates inside or on top of box.  The jack/jack plate are only mounted on soundboard if the git is dedicated right or left hand play.  Fret mark's on the neck/fretboard are at least marked on both sides, I do not always mark the fretboard side (under the string).  Sometimes the artwork on the box lid will be upside down when strings are switched from right handed play to lefty, or vice-versa, but "So What!"  Stick on top builds I will generally use the thinner bottom of the box anyway.  Really that is all I do to make the git playable by both lefties and righties.  Cheers.