So, I have found that on some builds, after all the careful selection of boxes and doing what I can to insure good acoustic tone and volume that the string pressure on the bridge tends to deform the soundboard and the bridge ends up sitting on the through neck. All of the work in cutting the relief on the through neck to keep space between it and the soundboard has caused it's own set of "issues". If this happens on one with already low string action, fret buzz can become a problem. This seems to happen even on builds that do not have a very severe break angle at the bridge. Anyone else? Is this where internal bracing comes into my building picture? I use the thinnest surface of the box for the soundboard, often the "bottom" of the box. There is never a free lunch is there?
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Thanks Bluesheart. In print me and Wade look a lot alike! I like your solution - as Cool Hand Luke famously said "sometimes nothin' is a real cool hand" so leave it as is and file the lessons learned away for future builds.
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