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That would be a happy medium. Like the comparison of the Casino guitar ,ES-330 and the ES-339 guitar. The Casino is completely hollow and the ES-339 has a block from the neck to the bridge and they offer different tones. The ES-330 has a block at the neck and a separate block just under the bridge and is right between the other 2 tone wise, like the best of both worlds.
You can't take away too much material from the neck because it would weaken the neck, but just having contact between the neck/through piece and top at the bridge, side/end pieces and at the neck joint will allow the top to vibrate good and still give sustain at the bridge.
It can be confusing and I hope your getting what I'm saying. Acoustics in a square box CBG with a neck piece running through the box will only offer so much acoustic properties and volume. so this little trick will maximize the acoustics available with good sustain too.
Ah the great tonewood debate, don't get me started. Hahaha
The DeArmond Starfire is a great guitar. I have a 60's MIJ ES-330 copy that I just rebuilt a year or 2 ago. with mini-buckers.
Tried to do a acoustic build CBG a while back with a Cedar box and Red Oak neck. It was a challenge, but finally got it. Still need to put the piezo and pickup in it.http://www.cigarboxnation.com/group/class101/forum/topics/cedar-box...
Learned a few lessons with this one. Maybe it can help out on future builds.
Glad it helped. Cedar is great for a top and back for deep tone, but not good fro the sides and end when stress comes into play. Next build will have something stronger for the sides and ends.
I used some plywood for the seem braces on the top and bottom. That was a mistake, should've used something stronger.
Looking good. Like the picture hanger idea.
The 3 and 4 nail ones would be perfect.
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