Hi all,
I've been experimenting a little with my last few builds adding a slight backwards angle to the neck. I remember seeing this mentioned quite a few times as a way to get lower action. I've had pretty good results with a very slight back angle.
I just put together a new build today which has a bit more of an extreme angle to it... anyway have a look and see what you think.
So... the action is super low (1mm at first fret, 1.5mm at 12th), but I'm getting horrific fret buzz all the way up the fretboard. Is this too much of an angle? Or could I compensate with a higher bridge?
I achieved this angle using the this design:
I put a 2mm block under the neck at the front part of the box and a 6mm block under the tail end.
Let me know what you think!
Rick
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Here's a forum post I put up when having my first go at a little back angle. My wife didn't even mind!
http://www.cigarboxnation.com/forum/topics/easy-neck-angle-adjustment
Check the attached pic in the original post on that thread. I assure you that it is safe for work.
Yeah, I like that and will likely to my next in a similar way. The adjustment came into play when my back-of-the-envelope engineering was somewhat off. I built the bridge I wanted to use and the action was too high at the 12th fret so I reworked it a little using the fulcrum to get exactly the angle I wanted.
This is the finished guitar.
Hey Eric, how's that Punch box sound? I've one on the shelf that I haven't gotten to yet.
Thanks! Guess I need to move that one higher on the build list. :D
That's pretty much what I am doing. For awhile I was cutting it on the table saw using cedar shakes for an angle guide. 1 shake gave about 1/4" on 10". 2 shakes glued together gave 1/2" on 10".
Had a couple of short lengths of mahogany for necks so I built two recently using this method.The two pieces of ply run the length of the box.Glued between, at one end is a tail block,and at the other end is a block with its top face angled at 2 degrees.The stub end of the neck is glued on top of this and between the ply.
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