Ok, newbee here, so apologies for any ignorance, but here goes: I've just collected the bit's'n'pieces that will finally get me started.

 

A very friendlyminded cigarshopowner in Oslo donated me a bunch of boxes yesterday - all with kinda different qualities - and I'm dragged: I love the Romeo and Julietta box for it's sheer volume, thinking it would make a lovely boom, i like the Java and Zino boxes for its masive wood, thinking it might be quite resonant, I like the Griffin's for the woods and being so flat'n'light, and also i like the Ramon Allones for it's classic looks.

 

Being a newbee (just starting out here) I can't decide, as I do not know if the woods and volume really matters that much anyways (if hard pressed I'd say tone is more important than looks, though).

 

Any advise or guidance highly appreciated. :D

 

 

(BTW I plan on using a pieze, but if the thing works acoustically I'd love it)

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If it were me, I would chose the Romeo e Julietta, followed by the Ramon Allones. Not because of graphics, tho they are nice. The ReJ might make a deeper sounding guitar. The Ramon would be my next tho I've seen the Java boxes quite often. The others might be ok, and mostly good for solid/electric types.

One question to ask: are the lids cardboard or wood (pressed wood or plywood)? Both are ok, but one makes a more muted sound in my opinion. You might be able to tell if one you can warp with your hands, it might be the cardboard. Wood (plywood) is much stiffer. I usually can't warp the lid.

this is _my_ opinion only tho. Others will give better opinions.

-WY
Oh some of the all wood boxes might be thick too. -WY
Thanks, Wes! Exactly my choice, too. The lids are all superstiff (thus making them plywood?). Is that a good or bad thing (I think even Gretsch make plywood tops these days :))

Wes Yates said:
If it were me, I would chose the Romeo e Julietta, followed by the Ramon Allones. Not because of graphics, tho they are nice. The ReJ might make a deeper sounding guitar. The Ramon would be my next tho I've seen the Java boxes quite often. The others might be ok, and mostly good for solid/electric types.

One question to ask: are the lids cardboard or wood (pressed wood or plywood)? Both are ok, but one makes a more muted sound in my opinion. You might be able to tell if one you can warp with your hands, it might be the cardboard. Wood (plywood) is much stiffer. I usually can't warp the lid.

this is _my_ opinion only tho. Others will give better opinions.

-WY
The lid then should be more of a wood or plywood. Its hard to tell (unless you have used the box before.) Macanudo's are 'wood" and blue Punch boxes are pressed wood (cardboard) Most should be 6mm-8mm thick (~1/4" in US).

Also I am understanding now that the back is just as important as the front -- the back resonates as well making a deeper, more resonant sound. Keep this in mind when you build or play.

-WY

Gitarmoro said:
Thanks, Wes! Exactly my choice, too. The lids are all superstiff (thus making them plywood?). Is that a good or bad thing (I think even Gretsch make plywood tops these days :))

Wes Yates said:
If it were me, I would chose the Romeo e Julietta, followed by the Ramon Allones. Not because of graphics, tho they are nice. The ReJ might make a deeper sounding guitar. The Ramon would be my next tho I've seen the Java boxes quite often. The others might be ok, and mostly good for solid/electric types.

One question to ask: are the lids cardboard or wood (pressed wood or plywood)? Both are ok, but one makes a more muted sound in my opinion. You might be able to tell if one you can warp with your hands, it might be the cardboard. Wood (plywood) is much stiffer. I usually can't warp the lid.

this is _my_ opinion only tho. Others will give better opinions.

-WY
Remember, the whole box resonates, so all wood is important.
The deeper the better, just because of interior volume.
The bigger the better, but thin isn't good for acoustic and might sound thin and tinny even amped.
I would go with the same order as Wes.

Matt

btw- the RyJ's usually have a presswood lid ( the ones I have are ) but the still (typically ) sound very good.
Again, Matt is quite correct! Thanks Matt.

-WY
Gitarmoro,

Remembering that this is your first build.... I wouldn't build on the R&J unless you're building a bass... the relatively short length of the box will make some design elements more problematic.... (also, R&J lids are often a heavy paste board, they can still sound good, but not wood...check by scratching away the paper from the inside of the lid),

Of the others, (assuming you want to consider acoustic properties) the Griffin is too thin, The Java's top is to heavy (you can build on the bottom, but these are also often pasteboard), the Zino appears to be hinged on the narrow dimension which make it a little ackward looking, and with the rounded edge complicating the build. (I do like Zinos, they generally have high quality wood tops)...

I guess that leaves the Ramon Allones... It is the only brand that I haven't built on, but if it is a typical paper covered wood box (with a paper hinge) that it appears to be, it looks like a great "starter" cigar box, that will be relatively simple to build with easy dimensions to lay out a CBG and enough size to make a good sounding CBG....

If you are building a CBG that is only going to be played as an electric, most of these issues are not so important. If you care about acoustic properties then they are important....

"No rules" say follow your nose or your gut or the stars. But after 200 builds, I don't like overly thick boxes, because they are ackward to hold, I don't like excessively thin boxes, because they lack resonance. Some of the best boxes are plain paper covered boxes often making great players while being simple to build on.

Let us know what you decide and definately how it comes out....

the best,

Wichita Sam
Wichita Sam said:
Gitarmoro,

I guess that leaves the Ramon Allones... It is the only brand that I haven't built on, but if it is a typical paper covered wood box (with a paper hinge) that it appears to be, it looks like a great "starter" cigar box, that will be relatively simple to build with easy dimensions to lay out a CBG and enough size to make a good sounding CBG....


"No rules" say follow your nose or your gut or the stars. But after 200 builds, I don't like overly thick boxes, because they are ackward to hold, I don't like excessively thin boxes, because they lack resonance. Some of the best boxes are plain paper covered boxes often making great players while being simple to build on.

Let us know what you decide and definately how it comes out....

Wichita Sam

Thank You Wichita Sam! Now I'm undecided again. :D
As for the Zino box: Isn't it an option to just remove or just replace the front hinge and just finish the neck inside the box, thus allowing the housing to rest the proper way and avoiding the rounded edge challenge? My worries towards that one was rather the lack of size.....

I'll definately let You know. Thanks again.
Yes, you can remove hinges and clasp on the Zino.... Then the question is fastening it. Some builders glue, but I like access to the inside should something go wrong...... You could set corner braces and screw the two parts together....

the best,

Wichita Sam

Gitarmoro said:
Wichita Sam said:
Gitarmoro,

I guess that leaves the Ramon Allones... It is the only brand that I haven't built on, but if it is a typical paper covered wood box (with a paper hinge) that it appears to be, it looks like a great "starter" cigar box, that will be relatively simple to build with easy dimensions to lay out a CBG and enough size to make a good sounding CBG....


"No rules" say follow your nose or your gut or the stars. But after 200 builds, I don't like overly thick boxes, because they are ackward to hold, I don't like excessively thin boxes, because they lack resonance. Some of the best boxes are plain paper covered boxes often making great players while being simple to build on.

Let us know what you decide and definately how it comes out....

Wichita Sam

Thank You Wichita Sam! Now I'm undecided again. :D
As for the Zino box: Isn't it an option to just remove or just replace the front hinge and just finish the neck inside the box, thus allowing the housing to rest the proper way and avoiding the rounded edge challenge? My worries towards that one was rather the lack of size.....

I'll definately let You know. Thanks again.
OK, here's the update: I actually ended up using a (nonpictured) Montecristo box. Finished the thing 2nite and much to my surprise it sounds pretty cool - both acusticly and amplified. Me not being a woodworker i fell into quite a few pitfalls but it ended up pretty well nontheless. Bit of luck and art by accident, but i love the little s***er and can't quite stop strummin it.

I took some pictures along the way. For anyone interrested they are here:
http://www.facebook.com/album.php?aid=190937&id=731915019&l...

Oh, and this forum i really immaculate for the not-so-able :D

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