I've built about 20 CBGs and I'm wondering what size fret wire everyone seems to like the best. I don't recall what size I'm using, but I believe it's a taller/wider wire. I'm thinking a smaller wire will save me some time filing the fret ends, but I wonder what the drawbacks might be. Any advice out there?
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I tend to like the tall and wide Jumbo wire, but it can be an issue at the higher frets being closer together. Don't have that problem with the thin/tall wire or the medium wire.
For short scales (ukes, mandolins) use smaller fret wire. If you do not do this, fretting the a taller fret on a short scale will pull the note (and chord) sharper or just plain off. (As Scott aka Farmer Ted said).
In my last couple of builds, when I glue the fretboard to the neck, I clamp it all together on a nice aluminum level. It makes the neck super flat. I had no issues with buzzing whatsoever
You are unlikely to notice any measurable difference in the level of effort to finish the ends. Taller frets are more forgiving when doing a bar chord.
The reason you give for changing is not really relevant, any extra end dressing for the sake of a bigger section of fret wire is so miniscule that i've probably spent more on coal for electricity in replying
Lol. I guess you're probably right. I've built maybe 20 or so and still consider myself very new. I have no musical experience at all, so learning to build one of these takes some learning on how they play too I think. There is always something new to learn. Thanks!!
Replies
I tend to like the tall and wide Jumbo wire, but it can be an issue at the higher frets being closer together. Don't have that problem with the thin/tall wire or the medium wire.
For short scales (ukes, mandolins) use smaller fret wire. If you do not do this, fretting the a taller fret on a short scale will pull the note (and chord) sharper or just plain off. (As Scott aka Farmer Ted said).
I like mediums for CBGs and in general.
Jumbos are dandy for long scales.
My general rule is... jumbo for basses, medium for regular scale CBGs and thin for short scale builds like strummers and canjoes.
the trick is to start with a super flat fretboard, then you won't be spending time chasing fret buzzing and leveling frets.
You are unlikely to notice any measurable difference in the level of effort to finish the ends. Taller frets are more forgiving when doing a bar chord.
The reason you give for changing is not really relevant, any extra end dressing for the sake of a bigger section of fret wire is so miniscule that i've probably spent more on coal for electricity in replying
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