Replies

  • It seems that depending on the carbon fiber used and the manufacturer, it can be a pricey material to use. And orchestral equipment has always seemed to be pricey (of course I am only 33). All of this is a main reason I started this hobby in the first place. If I had a metal smith shop I would make my own wind/reed instruments.
  • You're right about $1600 not being that outrageous. I've often thought that guitarists are way too spoiled by a low price-point on professional quality instruments. As a trumpet player, my main horn lists for about $2000 and I picked it up at $1300 about 12 years ago. Trumpets are CHEAP compared to other pro-level instruments. I was playing my friend's viola the other day...$7000 axe with a $3000 bow...of course she didn't tell me that until AFTER I handed it back to her. I work with the Maryland Classic Youth Orchestra and in all of our orchestras we have 7 harpists (tuning nightmare) with harps ranging from $15,000 - $42,000 (I know because I had to do insurance paperwork on them)...and a harp will literally pull itself apart in 20 years. And just for the record, I've played the Rainsongs at all of their price-points and find VERY little difference between them other than the carbon patterns.  

    Keni Lee Burgess said:

    I believe the company Rainsong has been making carbon fiber (graphite) guitars for years now. http://www.rainsong.com/

    I've never played one. Although by my experience, I have found I cannot judge any guitar without actually playing it. If it really plays well and has superior tone, $1600 is not that outrageous. Enjoy.

  • Rainsong makes an acoustic/electric dreadnought version, with a $3,295.00 selling price...although its usually marked down.

  • I believe the company Rainsong has been making carbon fiber (graphite) guitars for years now. http://www.rainsong.com/

    I've never played one. Although by my experience, I have found I cannot judge any guitar without actually playing it. If it really plays well and has superior tone, $1600 is not that outrageous. Enjoy.

  • I know that was the selling point, it is just a mute point to me. I am not equipped with a mind that can wrap around that price tag for a guitar. Small or not, carbon f. or not. Even full electrics w/bells and whistles I have a hard time with. But, that is part of capitalism.

    Don Thompson said:

    Colin, I agree with where you are coming from, carbon fiber will never "improve" in tone as a wood guitar would, but that's not it's selling point. It's designer was shooting for a loud small bodied travel guitar. Folks that can afford one most likely also have a nice organic wood guitar in their stable.

    Don

  • There will always be a market for this sort of thing...people with more money than is good for them...so why not take if off them? It's a marketing strategy that works for some companies, and the guitar market has lots of potential customers to sell this sort of thing to, people who are more interested in the guitar rather than the music.

    Yes it's a great little hi-tec guitar but it costs a lot of money for something to take on holiday. If I had that much spare money I'd book myself a nice holiday and take a $20 ukulele to while away a few hours under the palm trees.
  • So I was killing a bit of time the other day and stopped by my local GC when I realized I hadn't played a 6-string guitar in standard tuning in recent memory. While it was not this travel version (which I remember being reviewed along with other travel guitars in Acoustic Guitar), I did pick up one of the Rainsong Carbons. It lacked the rich overtones of a soft-top (like spruce) but had a similar sound to an all mahogany box (please note that I would still choose the mahogany). Not too bad all around and a great neck. I had a lot of fun there that day.

     

    Rainsong Specs
  • There are several clips on youtube https://www.youtube.com/watch?v=w5us27IhfHU

    Personal choice I know but to me it sure looks ugly. Sounds good though. I guess in all these promotional clips they will all be excellent players who could make an elastic band sound good.

     I discovered last year when I got to play a £2,500 guitar - I have the ability to make a £2,500 guitar sound as bad as a £20 cigar box guitar - personal favourite at present is an ebay specal at £4- a 3/4 size classical. I think I'll stick to that unless these carbon fibre ones turn up on ebay for £4 as well.

     

    David 

  • Colin, I agree with where you are coming from, carbon fiber will never "improve" in tone as a wood guitar would, but that's not it's selling point. It's designer was shooting for a loud small bodied travel guitar. Folks that can afford one most likely also have a nice organic wood guitar in their stable.

    Don

  • I also have not played one before. It seems to be along the same lines as a non-skin drum head. To me the depth of the Djembe comes from the dead animal skin stretched over the top. Of course the elements are a major factor (which I learned 1st hand), and yes a talented player will make the synthetic head a non-issue. To me however, the feel, strength, and sound are gone, that goes along with this too.
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