When doing a scarf joint for the headstock,what degree to you cut the scarfs to normally to get a nice angle on the headstock.Thanks in advance for your replies.You guys are great and this is fun for an old guy.

                                                                                                                                         Karl

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  • Heres another diagram..might help, might not.

    305859638?profile=original

  • One way to make a scarf joint.

  • I found an excellent resource here on The CBN in Josh Gayou's book, A Guide to Advanced Cigar Box Guitar Making. You can download the book free here:

    http://www.cigarboxnation.com/page/free-plans

    The link is just below the Smokehouse Guitars logo, about 1/4 of the way down the page.

    Instructions on how he lays out and makes his scarf joints start on page 32 of that book. That's the method I use to make my necks, and it works great. The angle ends up being right at 11°, but that may not be exact, depending on how you clean up the cut. I clean up the cut on the neck and the headstock on my jointer, which doesn't change the angle much at all - if any.

    • I did my first 2 scarf joints as shown in the e-book and they are working fine but if you flip the cut-off piece over you will be gluing true long grain to long grain where as the book's method is sort of end grain to long grain which is not as strong.

      • Hang on a mo, aren't you always gonna have a end grain to long grain with a scarf joint no matter which way round you attach it? One way it's on the neck and the other on the head stock, either way you will have the exact same gluing area.................................. Me thinks??????????

        regards

        Walt

        • Not if you glue to the bottom of the headstock instead of the top. When you cut the joint, you have one side with end grain and one with long grain; same on the neck piece, just match them up. I did this on my current because I didn't want to glue ears on the headstock and wanted to hide the side joint best I could. I'll try to remember to take my camera to the shop tonight and snap a pic... worth a thousand words they say :)  Guitar headstocks have been made long to end grain for over a hundred years and it works fine, I'm not advocating one over the other just mentioning the differences. As someone pointed out, if you glue to the bottom of the headstock you'll probably want to hide the joint on top with veneer.

          • Interesting,

            So are you making sort of a butt joint, but making the cut approx 85 degrees , then flipping the headstock to get the 10 degrees or so head angle??

            • This will hopefully explain better than I can.

              305862499?profile=RESIZE_1024x1024

              • I see, so you're not flipping it over but simply taking it off the top and glueing it to the bottom on it's straight grain yes?

                But does that not defeat the purpose of a scarf joint strengthening the head stock?

                And you're left with end grains on both top and bottom of the head stock that will need to be veneered to dress it up


                The whole idea is to change the direction of the grain so that the head stock wont snap under string tension if it's knocked or dropped, not just to save on timber.

                All food for thought LOL

                regards

                Walt

                • Hey Walt I think the whole idea is really about maximizing the surface areas which are glued. A change in direction of the grain in the timber is inevitable to some degree in this case (a guitar head) because you are turning a corner.
                  There seems to be a bit of a misunderstanding in this culture that 'scarf joint' means specificly this method of making a guitar neck. In fact scarf joins have been around in many applications for centuries, they were particularly important in the old days of building wooden ships and airplanes.
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