There are, I'm guessing, thousands of you out there. You're clearly not all from south of the Mason/Dixon- this spirited venture would appear to encompass the whole of N America and Europe. So- we can't all be playing 12-bars in G, or mournful dustbowl slide (I am SO jealous of Beetlejuice!)- what are YOU playing?

I'm really new to this game- after nearly forty years not quite getting six-strings, I've had a pretty productive forty days, and have posted three items of varying UK takes on proper rhythm'n'blues (NOT R&B). And I've had some positive feedback- it's different, apparently. But from what? Is most everything else just 'blues in G'?

To quote Marvin Gaye- what's going on?

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Cool looking forward to seeing what you come up with I've hot #12,13 and parts of #14 on bench and in shed I'm using oak I've got lots to use up have fun building
Getting there. Thought I'd go for a nice simple fretless one-string first, make all my mistakes on that before moving onto three strings. Then I found a really simple Eb chord and couldn't tear myself away from the ones I already had, making up fun new stuff with the fun new chord. Ho hum. Did get the neck cut, shaped, and oiled in between playing; all the hardware is ready to go. But playing the damn' things is just so much fun- how does anyone find the time to build a new one?
20mm is plenty for 3 strings, our 1x2 is really .75x 1.5" and that is fine with hardwood.

Love me some Rage Against the Machine.

Here's a four chord progression I'm trying to work into something.  Using the 1, 5, 8 tuning. 

...................7

.....................8

.....................8

.................3

.................3

.................3

................8

......................10

...............8

.............5

.................6

............5

I've also learned that you can play lower that an open G in a G,D,G (158 ) tuning.

X

0

..2

X

.....3

..........5

0

0

0

Four more chords to add to the first four.

....7

......8

....7

.......8

...........10

............10

............10

...........9

.....7

.........8

..5

..5

There are still a lot of variations I can try to add to this run. This is why I'm always videoing what I do. If I get stuck. Or run out of ideas I can watch this tatter. Sometimes all it takes is a bit of time away to make something work. 

Trying to play jazz on a ukulele at the moment.  I've just discovered ukuleles and the revelation has led to an accumulation of yet more instruments :-\

I know what you mean , dog. I'd sorta thought that when I started accumulating CBGs that I'd somehow just lose the six-strings, but it doesn't happen like that. My wife may kill me...
Ah- bless!

Well, I'm only 28 miles south of the Mason Dixon line (in West Virginia), but I don't find that location influencing me at all. I'm only a little over 4 months into playing CBG, and I'm really into the mellow/folksy, fingerpicking thing for now...no guitar picks, slides or distortion as of yet. I can't pinpoint what style I'm doing at all. I'm just playing what comes out of me, and I'm not aiming for anything, or limiting myself to one genre of music. So far, it's been all Open G Tuning for me, as I am too lazy to keep re-tuning my guitar.

Sorry Snuffy, that was a bit of lazy stereotyping (like all we English people have bad teeth and talk like Dick van Dyke)- I'm well aware of Kentucky and Appalachian folk traditions, the differences between Delta and other blues traditions, and the fact that Chicago blues, although hailing from Illinois, is a direct result of the black diaspora after WW2. But it got the discussion started, did it not? Number 1 CBN content for a while now...

Being new to this game too, I've not settled into a style. I am gonna learn some dustbowl blues, but you and others have said nice things about the fast-paced, "Brit"-sounding things I've posted. I usually start with a chord, add another, see where that leads... I was so pleased with finding an Eb chord last weekend it was a struggle to tear myself away and build something. There's at least two ideas happening, but it's got to be at least slightly multi-tracked before I can post it- I'm the only CBG player I know!

Btw, I used to know a guy from West VA- finest banjo player I've EVER heard. Proud of hailing from "the northern-most Southern state" he was- y'all.

No offense here at all, LOL. There are stereotypes out there. And here in West Virginia, LOL. There's no denying that, but I hail from a hard rock background. My roots are more towards 1970's-1980's hard rock, than old skool American blues players (which I think alot of hard rock pioneers borrowed from).

Like you, I've not settled into any one style. But we're CBG noobs, so it might take some time to find where we gravitate to stylistically (and naturally). I too will just start out with a simple fingerpicking pattern that I like, and often will find a part to lead right into, but then I get stuck. I usually end up with just two parts. Then after a couple of times playing it (sometimes over days) the next part will develop, and often snowball from there. Sometimes I end up with too much, and have to hack it back (a leftover habit from being an old skool "prog" rocker as well).

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