This could be git related or not. So, what's on your workbench at the moment?
I have 4 scarf joint necks in different stages of work.
A 25" scale pine 5 string neck for a Banjo-Res, A 25" scale Red Oak neck for my 6 string Strat-Res build, A 24 & 1/2" scale Red Oak neck for my 6 string Double Cut Tele build and a 27" scale 6 string Baritone Conversion neck for a Modern Strat body I have.
Do like Tom Sawyer and talk everybody into painting it for you.
Good eye deer, Paul. Grab a guitar and brush and come on over~!
I'm in the middle of painting my Bo Diddly guitar right now, when it isn't raining.
Well I finally got my Bo Diddly 6 string silverware box guitar painted and clear coated.
The box top is made of Masonite. I sanded it good and cleaned it off. I started with my base coat. A spray can of Rust-Oleum Silver Glitter paint. The can wanted to squirt more than spray, but I got the top covered.
After that dried, I began spraying on the Caymen Green Metallic. I wanted a light shade for a silver-green look. That didn't happen. By the time the color had an even shade across the top, it was darker than I wanted. I accepted it and went on with the many coats of clear.
After it was dry, I removed all the tape to discover that the whole paint job was starting to peel around the top edge and around the pickup cavities.
So now I've decided to use some small wood/plastic molding or picture frame material to frame the box edge and pickup cavities to keep it from peeling further. Hopefully that will stop any more peeling. Hoping that the rest of the top holds on to the paint.
nice look with the paint. looking forward to seeing this one when fished.
A lot of delicate work removing the back and all the braces. What's your plan?
hi Richard, I hope you don't mind me making an observation and a constructive comment, but to me that top looks like it may end up over braced, going by your plan.
The main cross braces are normally the load bearing braces, and the diagonal braces "tone bars" behind the bridge plate are to control the top vibrations, and are carved to enhance the response of the top.
Just keep in mind that there is not much free area of the top to vibrate freely. And possibly the extra brace is not needed as a strengthener in this area. My thought would be to maybe leave the main cross braces un-scalloped if you are looking at increasing the strength of the top.
You have a double X brace [a la Gibson] system there, but with two extra braces. Possibly your guitar has a large body and needs that bracing.
The photo shows one of my twelve string guitars top bracing.