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Please post pictures of your contest submissions here. Be sure to include any pertinent information about your instrument that you think others, including the judges, would enjoy knowing.

 

Good luck and good building!!!

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For this contest, I am submitting my "sympatico" guitar, which is a 3 stringer with 3 additional sympathetic strings. This instrument was inspired by the Hardanger fiddle as well as the work of luthier Fred Carlson. It features a dual piezo pick up in parallel soldered to a 1 mega ohm volume pot. The volume knob was recycled from a sparkling wine cork. The sympathetics, as you can see, run underneath the fingerboard and through the bridge, underneath the melody strings. Getting them to buzz has been the hardest thing, and, like all my other builds, I find myself constantly tweaking the instrument to achieve its maximum potential. This instrument is LOUD!

that is sweeeet !!!  bunty  ..  good job !!!!

plenty of places to put the cigar right!

Daft question alert....

When is the deadline for submissions? Iv just finished one that I thought wouldnt be done for another week - can I put it in?

Cheers



Roosterman said:

Daft question alert....

When is the deadline for submissions? Iv just finished one that I thought wouldnt be done for another week - can I put it in?

Cheers  yep rooster dude you got till serdey night

Midnight on the 31st Sir.



Roosterman said:

Daft question alert....

When is the deadline for submissions? Iv just finished one that I thought wouldnt be done for another week - can I put it in?

Cheers

I've gotta fire in one more photo since I'm under 5 photos just to prove that I am not a complete chump and I know that guitar strings should be parallel!  $5 and 20 minutes of digging in the guitar shop's parts bin coughed up the Tele string retainer.  Oh and the neck is Maple, can't believe I said it was pine!

Trevor Bohay said:

Some great stuff entered and Iv already picked my winner, but I'll add this into the mix just for fun.

Purposefully rustic, the box is a square 'Kristoff' from good friend Hal Spalter (cheers Hal). It has a through neck design of Meranti with a Rosewood fingerboard, and is fretless - the frets are marked using veneers stripped off old piano keys.

The main feature I guess is the overlapping fretboard as shown in the second pic. I used my 'standard' 45mm wide 3 string neck, but left the 'board proud on the top edge to allow space for the bass string. Why? I have always wondered why the back of guitar necks are not scalloped to give somewhere to locate ones thumb, so that those of us who are 'talent challenged' are less tempted to hang the thumb over the top of the fretboard (c'mon.... we all do it!). Leaving the top edge sqaure gives better purchase, and the overlap stops the thumb going over it. It works a treat. It also allows the guitar strings and bass string to diverge, which gives more playing space up the neck for runs.

You'll notice it also has seperate bass and guitar jacks, each with its own circuitry - a pup, tone and volume pot for each. Man it sounds big hooked up to a bass amp and a guitar amp together.

Other stuff: Guitar strings are tuned D A D, bass string is an A. 660mm scale, sealed tuners (3 guitar, 1 bass), bone nut, brass tailpiece and whammy bar bridge.

Oh, and its left handed.... hence no demo!!

Cheers Ben, and thanks for the kudos!  Great looking build, my friend, and a neat solution to the "thumb problem" for us ham-handed players!  I was wondering when we'd see some of those boxes, the Kristoff really struck me when I found it, you did it justice.  Happy New Year!
Roosterman said:

Some great stuff entered and Iv already picked my winner, but I'll add this into the mix just for fun.

Purposefully rustic, the box is a square 'Kristoff' from good friend Hal Spalter (cheers Hal). It has a through neck design of Meranti with a Rosewood fingerboard, and is fretless - the frets are marked using veneers stripped off old piano keys.

The main feature I guess is the overlapping fretboard as shown in the second pic. I used my 'standard' 45mm wide 3 string neck, but left the 'board proud on the top edge to allow space for the bass string. Why? I have always wondered why the back of guitar necks are not scalloped to give somewhere to locate ones thumb, so that those of us who are 'talent challenged' are less tempted to hang the thumb over the top of the fretboard (c'mon.... we all do it!). Leaving the top edge sqaure gives better purchase, and the overlap stops the thumb going over it. It works a treat. It also allows the guitar strings and bass string to diverge, which gives more playing space up the neck for runs.

You'll notice it also has seperate bass and guitar jacks, each with its own circuitry - a pup, tone and volume pot for each. Man it sounds big hooked up to a bass amp and a guitar amp together.

Other stuff: Guitar strings are tuned D A D, bass string is an A. 660mm scale, sealed tuners (3 guitar, 1 bass), bone nut, brass tailpiece and whammy bar bridge.

Oh, and its left handed.... hence no demo!!

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