Did my first official cbg wood box standard 1 piece of wood for the neck and fretted. I cut the grooves in the box so that the neck would be slightly higher than the box. I grooved out the area of the neck that so the box lid could close. It worked out ok but the neck is somewhat thin overall.

For future cbgs I'll glue an additional fretboard piece of wood so the neck will be thicker. I'm not sure how deep to cut the box grooves in general...Also some boxes have thinner lids as opposed to thicker lids (which some of the groove can be cut out from the lid). I'm a bit unclear on how deep to cut the grooves on a box....I don't want the inside the box piece of wood to be too thin....and if using bracing is suffice then yes I've done that.

With only a hacksaw cutting out grooves for the headstock and space for the lid is an intense effort. Chiseling etc...

I'm also not sure how much higher a neck should be than the body. I've just been guessing for that...and so far it's working out ok.

Also what is the main difference between making a 3 string as opposed to a 4 string guitar. I've never made a 4 string and curious what to be aware of as opposed to a 3 string. Seems like finding tail pieces for 3 stringers is easier.

I see many varied approaches to notching the box. In this post I am speaking of a fretted cbg. A raised neck from the box/either all the way through or almost all the way. I see different boxes with thin lids and boxes with thicker lids. I am curious also where the piezo gets placed when various notching techniques are used with different box sized lids. Here's some scenarios I've scene in respect to box groove cuts...
1. A thicker lid with both the box and lid having a cut groove (leaves a space between neck and lid?)
2. A thinner lid with no cut on the lid (where's the piezo go underneath the neck?)
3. Notched on the bottom , upper middle, etc. (how deep is the notch)

I know this thread is all over the place and apologize but I'm trying to make some sense before I go buying and cutting some nice boxes. I did experiment on a box that I had messed up and that went ok but it's really quite confusing because a given style of box can determine the manner in which it's cut /neck height etc

If you could share your notching techniques for a given box type/neck (fretted cbg) I'd appreciate it...(do you could include a second piece of wood for the neck?

On another topic is there a huge difference in making a 4 string as opposed to a 3 string cbg?
Thanks for reading and hope this makes sense.

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Richey,
When you say slightly larger size neck for 4 string. What size and where do you find it?

Well, I'm afraid I'm a metric kinda guy really but my wood supplier sells me 22x35mm for 3 stringers, and 24x37mm for 4 stringers. For a 4 stringer I use an 11mm string spacing at the bridge, leaving me about 2mm at either side of the fretboard, although I do taper the strings so they are closer together at the nut (8mm) 

can you explain the back angle a bit more please

how you get that larger headstock on there?

how to overlap the fretboard on the top of the box.

I've been intimidated at the above.. the making of a heel, creating a wooden tailpiece , and any scarf joints.
Your drawing is really great which I'll try to follow. I'm wondering how to make tailpieces out of wood as the strings would slip/cut through the wood on a wooden tailpiece. I'm looking to find some kinda solution like some string holders that could be found or made expensively (any help on that appreciated.
Your awesome ...I do that with photos too it really helps and it's great to see the great looking instruments.....what a great site this is. So much appreciation for everyone's help. Thank you
So true. Best site in the world (in my opinion)

In terms of back angle, think of it like this: If you imagine a perfectly straight neck, the strings will slope down from the bridge to the nut. If you want enough clearance from the box lid to use your fingers or a pick, the bridge is going to have to be quite a bit higher than the nut. This will also cause the action to get progressively much higher as you go up the neck.

When you have a back angle, you can have a taller bridge, and therefore lots of clearance from the box lid, and while the strings still slope down to the nut, they follow the angle of the neck, so the action remains nice and low all the way down the fretboard.

Go back to my diagram and have a think about this: If the neck runs through the box, and is resting on a wooden block at each end (this is where I affix the neck to the box using screws), if both blocks are exactly the same height, the neck will be straight. If the one at the front matches the notch cut for the neck to enter the box, and the one at the back is a little higher (this depends on the length of the box but you're generally talking 4-5mm), then your neck will angle down slightly - it's that simple!

The wider headstocks are simply achieved by gluing strips of wood on either side of the existing head end of the neck, then you just sand them down and Bob's your uncle.

I don't actually overlap the fretboard over the box - this would make it difficult to access the inside of the box for adjustments - when you see this on my builds I have always cut the lid of the box slightly to allow for this. Exactly the same principle as cutting the end of the box for the neck.

The heel is just part of the design  - the 2 parts of the neck are glued together, I cut a 45 degree angle and then shape with rasps and files - I'll post some pics when I'm at my PC.

Wooden tailpiece is easy - use a piece of hardwood (I usually use fretboard scraps), then drill 4mm holes for the strings, then get down to your local bike shop and ask for some spoke nipples (depending on the shop they will be free or almost free). Glue these inside the holes and you have some very cheap string ferrules. Take a look through my pics, as the concept is always the same.

...and I don't do scarf joints - I don't own any power tools and I don't have the confidence to attempt one without a band/table saw.

Hope this helps.

Can't wait to try this. Great ...really great!
Love this alot :) extremely simple is me. I'm a musician so these 3 stringers are really a joy to be creative in a whole new way. And less is more in so many ways. thank you.

Nothing wrong with that Wayfinder - this is exactly the same design I used at first. The only reason I went back to the drawing board was to allow for magnetic pickups, bracing under the box lid etc. My first 10 CBGs were done exactly like this.

Still finding it hard to cut the notch with a deeper/thicker box lid. I think I'll look for boxes with thinner lids in the future ...still getting it but I find myself having to eyeball the two notches on either side of the box.
Top and bottom notch only one side done..
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