WORKSPACE, SUPPLIES AND TOOLS
NECK
NECK, EYE BOLT TUNER INSTALLATION AND BODY BLOCK
MOUNTING THE NECK AND SOUND HOLES
FRET CALCULATION AND FRET MARKERS
Fret Markings: THANKS TO DAZEDLEMONPIE, the following fret measurements have been transcribed for us, and i've copied and pasted them here.
"i just written down all the fret measurement from part 5 of the video, I thought I would share it with those interested in building one.
The following are based on scale length of 59cm
59cm multiply .9439 (or any other scale length) equals your first fret location. It should be marked as follows:
STRINGING IT UP, STRINGS AND EYE BOLT TUNERS
TUNE IT UP AN PLAY!
PLAYING THE CIGAR BOX GUITAR : COLLECTIVE SOUL - "SHINE"
Tags:
That brings up another question. I think you mentioned in your videos that this is the same build that you use on stage; how do you think it compares to other "stage worthy" instruments? I mean I think the one I built is definitely far superior to any imported 6 string "beginner" guitar - but I'm not a professional musician yet. I just play for kicks.
So how does the uncle crow style hold up in live performance? Also does it have anything like a "life expectancy?" Do you have to build a new one every couple weeks, months, years?
Thanks again,
Michael
Wichita Sam said:
Uncle Crow,
Since I have time on my hands (part of my convolesence), I finally watched the full set of your tutorials... Well done sir!
A couple questions.....
1. Have you ever just crazy glued the necks onto the box (especially cardboard)?
2. Have you had any interested in 4 string, or fretted or dulci-strummer variations?
3. Have you gone craft show, music festival sales with these? If so, how were they received?
I've going to be busy in the Ozarks as part of my retirement and an Old Crow style CBG might be a fun thing to try out.
Again, thanks for sharing,
the best,
Wichita Sam
@michael glenn
you know, it seems i keep telling myself i'll sit down and do a full write up, but like i said in the videos, it seems like it takes less time to just build the guitar than it would take to write it all out LOL
michael, if you would have the time and would be so inclined to do a write up, i'd be more than happy to accept your help. if you would like to start with the notes you have, i'd be glad to do the final formatting and fill in any additional information that i may have been unclear about.
i'm getting so excited, i'm so happy to see others take so much interest in my method, this is exactly what i set out to do, discover and share!
Michael Glenn said:
I was actually thinking of doing a write up myself. I've still got all my notes handy, I just hadn't got around to writing everything out in an easy to read format. If that's something people are wanting, then definitely somebody should do it.
@wichita sam
man im honored to see you have interest in my builds, i've seen the incredible stuff you've made! i'll answer your questions below:
1. Have you ever just crazy glued the necks onto the box (especially cardboard)?
crazy glue? no. white elmers glue worked just fine, but took a while to dry. worked especially well with cardboard body. i expect crazy glue would work fantastically, so long as it was spread evenly on the primary surface.
2. Have you had any interested in 4 string, or fretted or dulci-strummer variations?
actually the very first instruments i built were four string fretted, but were very complicated builds, and i wanted to keep whittling away until the final instrument was more basic and easier for everyone after me to reproduce. my first frets were square wooden toothpicks glued down and sanded, and later tried bent heavy wire. eventually i decided fretting instrument is more difficult and time consuming than i liked, considering the infinite accuracy and care that must go in to them to have a good sounding instrument. and i have made a handful of single string dulci-tuned instruments which used common staples for frets, used fishing line for string, worked out very well! i have considered a hybrid instrument which would have slide strings for chording and staple frets under the first and last string for noting leads and bass notes, but ultimately i like slide instruments to have a very high action, as they sound best this way, and does not work well for noting the string against the neck.
3. Have you gone craft show, music festival sales with these? If so, how were they received?
i have actually never taken any to a craft show or festival, and i want to BADLY, but i never have the resources to build many at once, nor the time to go to festivals.. which is a large regret of mine.
@michael glenn
about life expectancy and on-stage performance:
performance:
you simply have to see it in person. there's no way to say in an email what it's like, but it completely blows them away when i plug my guitar in, and get that thick, roaring powerhouse sound. the quality of sound i achieve with my simple build sounds better than most expensive acoustic/electric guitars, and for a variety of reasons, but mostly because i PLAY it better. it has a clear, loud, beautiful tone that really comes through when plugged in. you simply HAVE to hear it in person, plugged in to a huge full sized stage setup. there's no other guitar like it, and i only play my own builds on stage.
life expectancy:
if anyone recalls, there is a series of pictures from over a year ago, where NOX and i built like 6 of these guitars in the same night. the guitar that i perform with on stage now is one of that very series, completely original. every single show i perform at has been with this guitar. this guitar has been battered, dragged, soiled, and even left OUTSIDE OVERNIGHT IN THE GRASS on several occasions when i've been out camping, and the night time dew settles on it, and i shake it off in the morning, re-tune, and plug it in later that day to perform at the festival. this build, with its single-stick body, it practically fool proof. you just can't mess it up. i'll make a video of my axe this evening to show you how it has aged. i would shudder to think of abusing any store bought instrument as i have my own, and it still sings as sweetly and growls as deeply as the day it was first built, and the stains, marks, and age that shows on it just gives it more character and "street cred".. the more i use it, the more i think it deserves to be used, lol
Crow,
First thanks for the kind words. I have always believed that the CBG universe would grow to be big enough to have room for all her children..... And, thanks for the response... I build a similar (?) instrument last summer when doing a workshop for kids building "cardboard guitars".... It ended up being a 4 string fretted on a medium sized Priority Mailer. It's amazing how good cardboard can sound. Anyway, thanks for being another port of entry into the CBG world for beginners and others....
the best,
Wichita Sam
Crow said:
@wichita sam
man im honored to see you have interest in my builds, i've seen the incredible stuff you've made! i'll answer your questions below:
1. Have you ever just crazy glued the necks onto the box (especially cardboard)?
crazy glue? no. white elmers glue worked just fine, but took a while to dry. worked especially well with cardboard body. i expect crazy glue would work fantastically, so long as it was spread evenly on the primary surface.
2. Have you had any interested in 4 string, or fretted or dulci-strummer variations?
actually the very first instruments i built were four string fretted, but were very complicated builds, and i wanted to keep whittling away until the final instrument was more basic and easier for everyone after me to reproduce. my first frets were square wooden toothpicks glued down and sanded, and later tried bent heavy wire. eventually i decided fretting instrument is more difficult and time consuming than i liked, considering the infinite accuracy and care that must go in to them to have a good sounding instrument. and i have made a handful of single string dulci-tuned instruments which used common staples for frets, used fishing line for string, worked out very well! i have considered a hybrid instrument which would have slide strings for chording and staple frets under the first and last string for noting leads and bass notes, but ultimately i like slide instruments to have a very high action, as they sound best this way, and does not work well for noting the string against the neck.
3. Have you gone craft show, music festival sales with these? If so, how were they received?
i have actually never taken any to a craft show or festival, and i want to BADLY, but i never have the resources to build many at once, nor the time to go to festivals.. which is a large regret of mine.
Crow,
First thanks for the kind words. I have always believed that the CBG universe would grow to be big enough to have room for all her children..... And, thanks for the response... I build a similar (?) instrument last summer when doing a workshop for kids building "cardboard guitars".... It ended up being a 4 string fretted on a medium sized Priority Mailer. It's amazing how good cardboard can sound. Anyway, thanks for being another port of entry into the CBG world for beginners and others....
the best,
Wichita Sam
Crow said:@wichita sam
man im honored to see you have interest in my builds, i've seen the incredible stuff you've made! i'll answer your questions below:
1. Have you ever just crazy glued the necks onto the box (especially cardboard)?
crazy glue? no. white elmers glue worked just fine, but took a while to dry. worked especially well with cardboard body. i expect crazy glue would work fantastically, so long as it was spread evenly on the primary surface.
2. Have you had any interested in 4 string, or fretted or dulci-strummer variations?
actually the very first instruments i built were four string fretted, but were very complicated builds, and i wanted to keep whittling away until the final instrument was more basic and easier for everyone after me to reproduce. my first frets were square wooden toothpicks glued down and sanded, and later tried bent heavy wire. eventually i decided fretting instrument is more difficult and time consuming than i liked, considering the infinite accuracy and care that must go in to them to have a good sounding instrument. and i have made a handful of single string dulci-tuned instruments which used common staples for frets, used fishing line for string, worked out very well! i have considered a hybrid instrument which would have slide strings for chording and staple frets under the first and last string for noting leads and bass notes, but ultimately i like slide instruments to have a very high action, as they sound best this way, and does not work well for noting the string against the neck.
3. Have you gone craft show, music festival sales with these? If so, how were they received?
i have actually never taken any to a craft show or festival, and i want to BADLY, but i never have the resources to build many at once, nor the time to go to festivals.. which is a large regret of mine.
I did not include a pickup. I think I mentioned in my blog I've hardly ever used a power tool before - I'm even more behind the curve when it comes to electronics. C. B. Gitty sells a piezo kit though that I want to order. I'd love to have an electric guitar. Of course, that also means building an amp...
I'm sure there are threads here that talk about how to install a piezo. It's just so dang hard to find exactly what you're looking for... You just have to keep digging until you find gold. I know I've seen a good description somewhere. Just like building a CBG, I imagine installing a pickup is simple once you know how to do it.
For final sound, check my video of "build 2" on my profile page. I like the sound - it's loud enough that I can just hear when my nephew picks it up even if I'm at the other end of the house.
Also you should know that this build only sets you up to play slide guitar! Not an issue, because it's so quick and easy to build and it is a lot of fun to play - just something to be aware of. So when you buy your parts, get a 2 inch length of copper pipe. Home Depot and Lowe's sell a 3/4" NIBCO copper coupling that makes a great slide. The other thing Crow mentioned for a slide - I couldn't find it at my Home Depot. The guy I asked looked at me like I was stoned or something and said "I don't think we have anything like that." Oh well.
I also just finished a write up of my notes as kind of a supplement to the video. (I had to write everything down and refer to my notes and the videos as I built.) I should have a link to the write-up later today or tomorrow.
jim Kasmir said:
Michael, I loved the blog. I am definitely going to attempt an Uncle Crow build. What did you think of the final sound? And, like I said above, I am eager to know if you added a pickup? Thanks again! Very helpful. I knew when I watched the videos that the eye bolt tuners were tricky; I just couldn't figure out what he was doing. So thanks for explaining that a little better,
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